Antitheses for Chamber Orchestra

As indicated by the title, Antitheses for Chamber Orchestra is based on contrasts. The most important contrasts are the juxtaposition of slow and fast sections, rhythmically free and very rhythmic sections, and finally tonal sections and atonal sections ornamented by sound effects. This piece is the same as Antitheses for Speaker, Voice, and Chamber Music Ensemble without the text [LRC038]. Both versions have been presented at numerous composition conferences.