Dreams, Earth, and Heavens for piano

This work was derived from Constantinides' larger stage work. All three preludes are based on a single musical idea that has been important in the composer’s life. In the first prelude, melodic lines from the First Delphic Hymn (c. 138 B.C.) are used. The second prelude is based on palindromic phrases. The final prelude is modal in nature and is derived from the composer’s opera, Antigone.